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Spiros Panigirakis

A HEDGED DOMESTIC CONDITION: A museum trolley is constructed for a painting that hasn’t been made, for a domestic situation that doesn’t exist. So a propositional model is presented in a west Brunswick lounge room that explores how an artist might go about making a painting about a burnt suburban hedge. After multiple conversations and some afternoon tea in conditions that approximate some, but not all, of the qualities of a romantacised and somewhat anachronistic salon – the painting might be ready to be wheeled out.

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